Monday, December 28, 2015

Celluloid Indians: Native Americans and Film



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ISBN-13:
9780803278370

Publisher:

UNP - Nebraska Paperback

Date of publication:
03/01/2016

sold:
E-Book PDF

Format:
PDF

Pages:
261

File size:
3 MB


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Indian characters were the most malleable metaphor for filmmakers. Likable Doc from Stagecoach (1939) had the audience on the edge of their seats with the ominous warning # 8220; this old butcher, Jeronimo # 8221. Old Lodgeskins of Little Big Man (1970) were the spectators cried against the destruction of a noble, wise leader and his good and simple people. In 1995, Disney created a beautiful, peaceful and environmentalist called it Pocahontas. Only occasionally there are Native Americans were portrayed as sophisticated, modern characters in films like smoke signals # 160 ;. Celluloid Indians is accessible, insightful overview of Indian representation in the film over the past century. Since the birth of the film industry, Jacquelyn Kilpatrick closely monitoring changes in the cinematic images of indigenous peoples and identifies cultural and historical reasons for these changes. At the end of the twentieth century, Native Americans were increasingly involved in writing and directing films about themselves, and Kilpatrick pays due attention to the impact that Indian writers and filmmakers had on the industry. Celluloid Indians concludes with valuable, in-depth look at the most influential and innovative Native Americans in today # 8217; s film industry.


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